RELATIVE PITCH ARRANGED ON A HELICAL STRUCTURE.The numbers corresponding to the relative
pitch of a tone, were measured along a helix, and lines were drawn connecting
each multiple to its corresponding number. The general structure of the whole is
not much changed when dealing with a helix rather than a straight line. The
pattern appears characteristically the same. The dead ends of a multiple of 2 x
3 always linked to 5 and to 25 is apparent. We might have found a pathway to
dealing with how patterns are formed, by dealing with sequence, not
merely the result , an important difference not yet fully explored.
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